The pride in antigone

Creon's hubris is tied directly to his stubborn and short-sighted insistence that the concerns of the king and the concerns of the state are of greater importance than the concerns of the gods.

The pride in antigone

Certified Educator To understand this quote, it is important to contextualize it. Creon, King of Thebes, makes a decision at the beginning of the play, in his capacity as the ruler of the city: This was a major taboo in Greek society, as Antigone reminds Creon in act 1.

It was believed that unburied corpses offended the gods, and the souls of the unburied could not cross To understand this quote, it is important to contextualize it. It was believed that unburied corpses offended the gods, and the souls of the unburied could not cross the Acheron into the Underworld.

Despite the seriousness of this decision, Creon will not change his mind, so Antigone defies him and buries her brother herself. Creon is outraged at her defiance and declares he has no choice but to sentence Antigone to death. He orders his guards to wall her up, alive, into a tomb.

The pride in antigone

Ah, the blunders of an unthinking mind, blunders of rigidity, yielding death! Oh, you witnesses of the killers and the killed, both of one family! What misery arises from my reasonings! Ah, how late you seem to see the right! Creon bewails the loss of his wife and son, and is horrified that his initial decision has led to so much tragedy.

He now wishes only to die himself, so that his suffering can end.

Pride and Prejudice by Jane Austen

As he leaves the stage, the Chorus recites: Wisdom is by far the greatest part of joy, and reverence toward the gods must be safeguarded. The mighty words of the proud are paid in full with mighty blows of fate, and at long last those blows will teach us wisdom.

These lines are the final words of the play. As such, they may be read as its moral; its parting message to the audience. Creon did what he believed was correct when he ordered that Polyneices remain unburied, but his belief in his own righteousness clouded his judgment.

He was thinking purely in political terms, as Polyneices had come armed against the city, and should be punished as an example to others.

The Chorus emphasizes what Antigone had earlier said, that "reverence towards the gods" is paramount above mortal concerns. Creon felt himself to be a king, whose will must be obeyed. He did not reckon with the will of the gods, and he has been severely punished for it. He can either learn from this punishment, or be destroyed by it—the implication is that the audience, also, must learn, or suffer the Antigone (Greek Tragedy in New Translations) (): Sophocles, Richard Emil Braun: Books.

Antigone, the Real Tragic Hero in Sophocles' Antigone - Antigone is a great Greek tragedy by Sophocles.

The story is about a young woman who has buried her brother by breaking king’s decree, and now she is punished for obeying God’s law. Antigone Quotes (showing of ) “All men make mistakes, but a good man yields when he knows his course is wrong, and repairs the evil. The only crime is pride.”. Basics of the myth.

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Variations on the legend of Oedipus are mentioned in fragments by several ancient Greek poets including Homer, Hesiod, Pindar, Aeschylus and leslutinsduphoenix.comr, the most popular version of the legend comes from the set of Theban plays by Sophocles: Oedipus Rex, Oedipus at Colonus, and Antigone..

Oedipus .

The pride in antigone

The story of Niobe, and especially her sorrows, is an ancient one. The context in which she is mentioned by Achilles to Priam in Homer's Iliad is as a stock type for mourning. Priam is not unlike Niobe in the sense that he was also grieving for his son Hector, who was killed and not buried for several days..

Antigone & Creon: Pride vs. Power - New York Essays

Niobe is also mentioned in Sophocles's Antigone where, as Antigone . A summary of Antigone, lines – in Sophocles's The Oedipus Plays. Learn exactly what happened in this chapter, scene, or section of The Oedipus Plays and what it means.

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Oedipus - Wikipedia